often manchmal was selected to be shown as part of Hessen Talents during the Berlinale.
There will therefore also be a screening:
on Thursday, 19 February at 3:30 3:00 p.m.
at fsk Kino in Kreuzberg close to Kottbusser Tor:
Segitzdamm 2, 10969 Berlin.
Looking forward to see you there.
screening of often manchmal during hessischer Hochschulfilmtag at Kasseler Dokfest accidently cropped
Screening of false Tiger, Sept 14th, 8:30pm.
Location: Frankfurter Str. 13-15 Atelier Walterpassage, Offenbach.
Installation with miniature loops in 16mm colour film, black and white slide film, DV video and fm radio transmissions.
For the graduation exhibition I made an installation that was placed in the corridor in front of the cinema of the hfg film department. The film corridor was an important location in my years of study. It also leads to the server room of the HfG and it appears in the film on 16mm.
Stills from Wurmloch.
color video | 20 sec | no dialogue | 2025
currently editing prints on a desktop for Wurmloch.
Running through an abandoned datacenter after the apocalyspe. more
currently shooting
Jonathan Crary is talking about internet complex. My grandmother is talking about Offenbach in the 1960s. After the apocolypse toddlers playing in abandoned data centres.
including films of: Pei-Chin Lee, Quirin Fürbeck, Nola Fischer, Deniz Kilicarslan, Tim Seger, Bill Raab, Savvy Sun, June Pauli, Zuleikha Murtazaieva, Nikita Bazin, Silvan Hahn, Sarah Melz, Balduin Pfeffer, Laureen Laser
As part of an excursion to Dakar, Senegal, with Marie-Hélène Gutberlet in March 2023, I organised a film screening at the Université Cheikh Anta Diop de Dakar with works by students from Offenbach. It followed the idea of an exchange, as we were given a very warm hospitable welcome and were shown not only the university in great detail.
@rundgang 2022
together with: Fan-Yu Pu a.k.a. Lady Bubu Tea, June Pauli, Nelli Gomez-Baumert, Leon Scheiblich, Barnabas Vollmar, Kerstin Weiss-Gonzales
We founded this trash band as a radio station under construction, which is already on air. From fully rehearsed songs to experimental improvisation and noise, it is taking shape. I work with modular synthesiser systems and solder modules and adapters myself. For the tour I used texts from 1950 from the Offenbach-Post newspaper archive and from Britney Spears.
